Analyses of paint mediums in 15th-19th century paintings
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Analyses of paint mediums in 15th-19th century paintings
Hi George,
Here is my question for the zoom meeting on Saturday:
A paper in the National Gallery Technical Bulletin (“Analyses of Paint Mediums”, White R et al, National Gallery Technical Bulletin , 1998, Vol. 19, 1998, pp. 74-95) describes analysis of paint samples from 15th – 19th century. It reports that some artists were using “partially heat-bodied oils”, which the authors suggest may have been a mixture of heat bodied and non-heat bodied oils. However, they present findings indicating that in many cases artists (such as Jan Steen, see table page 89) were using only heat-bodied oil as the medium in the samples of the painting tested. How is this possible given how difficult it is to work with 100% heat-bodied oil? Am I misunderstanding something here? Any ideas on how these artists would have worked in this way?
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